In this Slashdot discussion about the DRM on the new Velvet Revolver CD's copy-protection, there is this comment by blincoln:
Backups are simply not an issue for the mass market.
Backups are not the issue for audio. Making custom mix CDs or transferring the music to a digitial audio player is.
Any CD that goes in my car is a CD-R for several reasons:
- I don't want the originals to be stolen/melted by the sun/scratched/etc.
- I can condense the music off of 50-100 CDs down to 10 or so CD-Rs because I *really* only want to hear maybe 1-2 tracks off of each one when I'm driving, and almost no pre-pressed CD I own is a full 80 minutes in length.
I also rip tons of my CDs to Ogg Vorbis at work for similar reasons - I have something like 100 albums on my hard drive there, so I don't have to keep lugging CDs back and forth and hoping they don't get broken in my bag.
If a record company wants to prevent me from making mix CDs and ripping to Ogg, they won't get any business from me. I think that once more people realize that that's their goal, it will seriously impact their sales figures. Not everyone I know rips music to their hard drive, but everyone makes mix CDs.
I do use some original CD's in the car, but other than that I am aligned with blincoln. The RIAA needs to decide whether they're going to sell media or licenses. In the digital age, the two don't cleanly mix.
Update: Reading a little more about this, it appears that as long as you don't allow Windows to auto-run the DRM software included on the VR CD, your access to the digital audio isn't impeded.